A whole adventure was played out in the pages of the magazine L’Oratoire during the year 1954.
Appointed editor-in-chief of the publication in September 1953, Father Émile Legault, CSC, published an editorial in January 1954 in which he declared that “it is time, more than ever, for a crusade for the rejuvenation of Saint Joseph. Father Legault does not mince his words: speaking of a play he is composing on Saint Joseph1, he expresses the desire to “correct the adulterated image” of Joseph, an image inherited from the theatrical plays of the Middle Ages called the Mistères.2.